Just a few words to live by if you ever happen to see dubstep and drum & bass trio Noisia live. However, due to the COVID-19 pandemic, Noisia announced that the split would be postponed until they are able to embark on their final tour.As soon as you hear the drop, then you need to be prepared, because it will most certainly cause everyone to go completely mental. The three will continue to release music under solo projects after the split, and likely occasionally collaborate with each other again, not under the Noisia name. On 18 September 2019, the trio announced they would be splitting at the end of 2020, citing creative differences and feeling like "Noisia is a game we have completed.A good artist should know when an artwork is finished." in their final year, they will embark on a final tour, present the final season of their podcast Noisia Radio, and release their final collection of music as a group. Check out their Soundcloud for the latest audio.
Having signed to Jay-Z's Roc Nation publishing company, working on new video game soundtracks and producing for a number of artists, Noisia are expanding into exciting new areas whilst continuing to make the ‘bangers’ they are known and loved for!įor up-to-date news subscribe to the Noisia Newsletter or follow Noisia on Facebook and Twitter. The original was released in April 2010 and showcases a wide variety of styles from electro to drum&bass to Dubstep. They were commissioned to make 8 remixes especially for Motorstorm Apocalypse, a triple-A racing game that was released in March 2011.Ģ012 will see the release of a Special Edition of their successful debut album ‘Split The Atom’. Noisia’s music lends itself perfectly to videogames their track ‘Groundhog’ is the hardest track to beat in the first DJ Hero, ‘Machine Gun’ and 'Seven Stitches' feature in three editions of the game WipeOut, and ‘Stigma’ and 'Yellow Brick' were picked up by PlayStation to be featured on GranTurismo.
They have reduced their DJ’ing commitments recently in order to focus on production. They have played in major cities all over the world, from Sydney to Moscow, Tokyo to Berlin, Los Angeles to Johannesburg and have DJ’ed in some of the world’s biggest clubs. Noisia have been Dj’ing every weekend since 2004. Another Noisia video that has been a big hit on YouTube is ‘Exodus’ which took 3 years to make and features KRS One. They have collaborated on a number of tracks with Foreign Beggars, the most successful being ‘Contact’, which has garnered over 3 million views on YouTube and become an influential underground hit. Moby, ‘Omen’ by The Prodigy, ‘E.T.’ by Katy Perry, ‘ Scary Monsters and Nice Sprites’ by Skrillex, ‘Raise your Weapon’ by Deadmau5, and Hadouken, whose entire second album ‘For The Masses’ was produced by Noisia. The guys have worked with, and remixed a number of diverse artists, with notable tracks including, ‘Alice’ by Over the past few years, accolades for Noisia have included Best Tech DJ in the UK National D&B Awards in 20, Best Producers at the 2010 D&BArena Awards and Best Drum&Bass Artist on Beatport in both 20. They then went on to establish Invisible Recordings in 2010, catering for the deeper and more experimental side of drum&bass. In 2007 they established Division Recordings, a label for electro, house, breaks and dubstep. Nik's designs almost all of the artwork for the releases on their labels, and the guys love the challenges and rewards that come with running a label. Releasing their first record in 2003 on SLR and releasing on every major drum&bass label in the following years, 2005 saw Noisia establish their own label, Vision Recordings to put out their drum&bass productions and collaborations and retain creative control of their music. Influenced by an eclectic range of artists, from The Prodigy to James Brown, Miles Davis to Konflict, Tipper to Fatboy Slim, Noisia makes music for DJs and dance-floors that is interesting enough to cross over from the clubs to your MP3 player. NOISIA (who took their name from the word VISION inverted on an upside down VHS tape) are Nik Roos, Thijs de Vlieger and Martijn van Sonderen, hailing from Groningen, The Netherlands.